[Tiffany makes an effort to seek Shiro out at least a few times a week. Sometimes she just checks in, but if she has the time, she tries to engage her in some way. Today is one of those days. Arms full of drawing pads, markers, and crayons, she uses her foot to knock on Shiro's door.]
Hey Shiro, you in there? You wanna come draw in my cabin?
Edited (I accidentally a whole sentence) 2015-09-15 12:21 (UTC)
[Shiro likes visits from Tiffany. Her cabin doesn't have much--dingy marble, dark corners, a beanbag couch and a broken piano--but what she has, she shares. There's drawings, too, now: pictures of everyone she's met that she can make sit still for a picture, her map of the barge sprawling across a good chunk of one wall. It's visible when she throws open the door, leaning out into the hallway.]
Tiffany! Shiro always wants to come draw. Want help? I can carry!
[Tiffany has noticed the map before, and has always been curious about it. It doesn't strike her as something a child would draw (and in her mind, Shiro is very much a child).]
Do you have trouble finding your way around sometimes?
[She looks back over her shoulder, noticing the map, and opens the door fully so Tiffany can see it.]
Shiro doesn't get lost much anymore, but I like exploring. And there's lots of places to hide, here. Shiro's map shows her where to go, and who lives where. See?
[She walks over to the wall, lifts one specific section of colored hallway to reveal a fairly accurate depiction of Tiffany's own room, with a painstakingly written name on it.]
This way, Shiro knows where everyone is. Won't forget. And Shiro remembers everyone's name!
[It's easy, when she's coloring, when she's drawing. She doesn't have to be anyone. She can just make the pictures in her head be real, can make her memories solid. It's good. Gives her something to hold, something to see when she closes her eyes at night. And in this case...she doesn't want to forget anyone, even if they leave. Maybe she'll tape a new room over an old one, but she'll leave the old one. Just in case. No one gets forgotten.]
You think? Tried really hard. Lots of rooms Shiro's never seen, and lots of people won't let me draw 'em, but maybe soon Shiro will have a whole map!
My memory isn't so good sometimes. Try hard to remember, but some stuff is easy, and other stuff--Shiro thinks about it, but it comes out funny? Like the picture's messed up. Like watching TV, and the picture goes fuzzy, or gets those lines...
But drawing helps! Shiro remembers better with pictures. And Shiro likes Tiffany's room a lot! It's like you, a little.
I never thought about it like that. It's just a room to me. And now there's an extra room inside it, for Lourdes. I can show you the door so you can draw it in where it's supposed to go.
[She shifts the supplies in her arms so that she has a free hand to hold out to Shiro.]
Shiro thinks maybe Ganta will come anyway one day. Ganta came back for Shiro before. Shiro just has to wait again, that's all! And then when Ganta gets here, Shiro and Ganta will find Admiral, make him say sorry!
[Because he took her away from something important, from someone important. Stole her from home, and she doesn't even know why. That's the worst part.]
I guess so. Only I don't believe everybody's here for that. It's complicated.
... I needed both. I needed to get away from there and I needed to learn that some of the stuff I was doing was bad. But I don't feel like I got redeemed.
[She didn't know that, about Tiffany. Knew she was a warden, that
she'd been an inmate, but not what she'd done. A moment of connect the dots
as they walk, and she finally asks.]
That why Tiffany was an inmate? Cause you killed someone?
[It doesn't bother her, that Tiffany's killed someone. She knows
what death is. And she knows that people are fragile, so fragile. It's easy
to hurt them. But now that she knows, she can ask Tiffany questions maybe
nobody else would answer.]
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